The Responsive Eye — y-a-v-a, after Bridget Riley.
No two screens render the same painting. It lives in the beat between the grating and your pixels. A screenshot is its corpse. Your system asked for no motion, so here is the corpse: a still. The painting was the movement.
References: Bridget Riley, Blaze (1962); The Responsive Eye, MoMA (1965); Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction (1935). Licence CC BY-SA 4.0. No cookies, no tracking, no network.